A compilation of great verses and poems with which to learn to love more and better. Do you need best love poems with which to impress your partner? Romantic poems have been, for centuries, the main leitmotif of many writers, poets and writers.
A love poem must have the ability to tell in a unique way those feelings, emotions and images that come to mind when we talk about how special a person makes us feel.
24 Best Love Poems
If emotions are in full bloom and you need to get the message to a person you want, we propose fifteen best love poems from different periods and authors. With them, you can explore your romantic facet and share these good feelings with whoever you want.
Without further delay, let’s meet the romantic verses. At the end of each of them, you have a brief explanation of their context and meaning.
Welcome, by Mario Benedetti
It occurs to me that you will arrive differently
not exactly prettier
no more docile
no more cautious
just that you will arrive differently
as if this season of not seeing me
I would have surprised you too
maybe because you know
how do I think about you and list you
after all nostalgia exists
although we don’t cry on the ghostly platforms
not even on candor pillows
not under the dull sky
and how it bothers me that he nostalgia
your face is the vanguard
maybe it comes first
because I paint it on the walls
with invisible and safe strokes
don’t forget that your face
he looks at me like a town
smile and rage and sing
as a town
and that gives you a light
now i have no doubts
you will arrive differently and with signs
I know that I will love you without questions
I know you’re going to love me without answers.
- Analysis of the poem : these are ideal verses to dedicate during a reunion with the loved one, realizing the great emotional connection that exists and that even distance has not been able to diminish.
Eternal love, by Gustavo Adolfo Bécquer
The sun may cloud forever;
The sea may dry in an instant;
The earth’s axis may break
Like a weak crystal.
Everything will happen! May death
Cover me with his funeral crepe;
But never in me can it go out
The flame of your love.
- Analysis of the poem : an ode to unconditional love, devoid of any circumstance. An expression of romantic love at its highest level.
Slave of mine, by Pablo Neruda
Slave mine, fear me. Love me. Slave of mine!
I am with you the biggest sunset in my sky,
and in him, my soul emerges as a cold star.
When they move away, my steps return to me.
My own lash falls on my life.
You are what is within me and is far away.
Fleeing like a chorus of persecuted mists.
Next to me, but where? Far, which it is far.
And what being far under my feet walks.
The echo of the voice beyond silence.
And what in my soul grows like moss in the ruins.
- Analysis of the poem: the Chilean poet, in a display of eroticism and sensitivity, exposes us a love in which affection and fear go hand in hand.
If you love me, love me whole. from Dulce María Loynaz
If you love me, love me whole
not by areas of light or shadow …
If you love me, love me black
and white, and gray, green, and blonde,
and brunette …
Love me day
love me night …
And early in the open window!
If you love me, don’t cut me:
Love me all!… Or don’t love me
- Analysis of the poem: the Cuban poet makes it clear: either you love me with all my soul, or don’t you dare to do it. An ode to passion and romance.
With you, by Luis Cernuda
My land? My land is you.
My people? My people are you.
Exile and death for me are where you are not.
And my life? Tell me, my life, what is it, if it’s not you?
- Analysis of the poem: this Spanish poet talked like that about his world, based on love for that special person.
Farewell, by Jorge Luis Borges
Between my love and I have to get up
three hundred nights as three hundred walls
And the sea will be magic among us.
There will be only memories.
Oh deserved afternoons,
Hopeful nights to look at you
fields of my path, firmament
that I am seeing and losing …
Definitive as a marble
your absence will sadden other afternoons.
- Analysis of the poem: saying goodbye is never easy, let alone say goodbye to a person we have loved with a passion. However, this poem by Jorge Luis Borges is absolutely beautiful.
Agua Mujer, by Juan Ramón Jiménez
What did you copy to me,
that when it’s missing in me
the image of the top,
I run to look at you?
- Analysis of the poem: brief but colossal poem by Juan Ramón Jiménez. Sometimes love is based on the look towards the mirror. We are reflected in the eyes of the loved one.
Give me your hand, by Gabriela Mistral
Give me your hand and we will dance;
Give me your hand and you will love me.
As one flower we will be,
like a flower, and nothing more …
The same verse we will sing,
At the same time you will dance.
Like a spike we will wave,
Like a spike, and nothing more.
Your name is Rosa and I Esperanza;
but your name you will forget,
Because we will be a dance.
- Analysis of the poem: verses of the Chilean poet. An ode to optimism and the most innocent crush.
Soneto V, by Garcilaso de la Vega
Your gesture is written in my soul …
Your gesture is written in my soul
and how much I write of your desire;
You just wrote it, I read it
so alone, that even if you I keep in this.
In this I am and will always be on;
that although it does not fit in me how much in you I see,
so well what I don’t understand I think,
taking faith by budget.
I was not born but for lovers;
My soul has cut you to your measure;
by habit of the soul I love you;
how much I confess I owe you;
I was born for you, for you I have life,
For you, I must die and for you I die.
- Analysis of the poem: one of those life-long best love poems, which tells us about a stark, mystical crush, out of any circumstance or condition.
Powders of love, by Francisco de Quevedo
Last love beyond death.
You can close my eyes the last
Shadow I’ll take the white day
And you can unleash this soul of mine
Hora, in his anxious eagerness for flattery;
But not from this other part of the riverbank
It will leave the memory, where it burned:
Swim knows my flame the cold water,
And lose respect for severe law.
Soul, to whom a whole prison God has been,
Come on, what a humor they have given so much fire,
Piths, which have gloriously burned,
Your body will leave, not your care;
They will be ash, but it will make sense;
Dust will be, more dust in love.
- Analysis of the poem: the Spanish author appeals to a love that does not disappear even when the souls are gone.
Love, by Pablo Neruda
Woman, I would have been your son, for drinking you
breast milk like a spring
for looking at you and feeling by my side and having you
in the golden laugh and the crystal voice.
For feeling in my veins like God in the rivers
and worship you in the sad bones of dust and lime,
because your being will pass without sorrow next to me
and go out in the stanza – clean of all evil.
How I would know how to love you, woman, how I would know
love you, love you like no one ever knew!
Die and still
love you more.
love you more
- Analysis of the poem: a romantic recognition of the figure of women, from one of the most emblematic poets in Latin America.
I love you for eyebrow, by Julio Cortázar
I love you for eyebrow, for hair, I debate you in corridors
very white where the fountains are played
of the light,
I discuss each name, I tear you gently
I’m putting lightning ashes in your hair and
tapes that slept in the rain.
I don’t want you to have a way, to be
precisely what comes behind your hand,
because water considers water, and lions
when they dissolve in the sugar of the fable,
and the gestures, that architecture from nothing,
lighting their lamps in the middle of the encounter.
All morning is the board where I invent you and you
soon to erase you, so you are not, nor with that
Straight hair, that smile.
I’m looking for your sum, the edge of the glass where the wine
It is also the moon and the mirror,
I’m looking for that line that makes a man tremble in
A museum gallery.
Besides, I love you, and long and cold.
- Analysis of the poem: true to his style, Julio Cortázar talked like that about a love that made him lose his mind.
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Morning sonnet to a weightless schoolgirl, by Gabriel García-Márquez
As he passes by he greets me and after the wind
that gives the breath of his early voice
in the square light of a window
fogging, not the glass, but the breath
It is early as a bell.
It fits in the unlikely, like a story
and when you cut the thread of the moment
He pours his white blood in the morning.
If you wear blue and go to school,
it is not distinguished if it walks or flies
because it’s like the breeze, so light
that in the blue morning it is not necessary
which of the three that pass is the breeze,
What is the girl and what is the morning.
- Analysis of the poem: the author of “One Hundred Years of Solitude” described a brief platonic romance with a young schoolgirl.
Cover me, love, the sky from your mouth, by Rafael Alberti
Cover me, love, heaven from your mouth
with that snatched extreme foam,
which is jasmine from the one who knows and from the one who burns,
sprouted on rock coral tip.
Touch me, love, your salt, crazy
Your lancinating sharp supreme flower,
Folding his rage on the headband
Of the mordant carnation that runaways her.
Oh tight flow, love, oh beautiful
for such a narrow grotto in living flesh,
to see how your thin neck
it slips, love, and it rains
of jasmine and saliva stars!
- Analysis of the poem: about female beauty and her honey. Of the great Rafael Alberti.
As if every kiss, by Fernando Pessoa
As if every kiss
Out of farewell,
Chloe mine, let’s kiss, loving.
Maybe it’s our turn
On the shoulder the calling hand
To the boat that comes only empty;
And in the same beam
Tie what we went to each other
And the alien universal sum of life.
- Analysis of the poem: the Portuguese writer thus described a unique, special, memorable love.
I love you at ten in the morning, by Jaime Sabines
I love you at ten in the morning, and at eleven,
and at twelve o’clock. I love you with all my soul and
With my whole body, sometimes, in the rainy afternoons.
But at two in the afternoon, or at three, when I
I think of the two of us, and you think of the
food or in daily work, or in amusements
that you don’t have, I start hating you deafly, with
Half of the hate I keep for me.
Then I love you again when we go to bed and
I feel that you are made for me, that somehow
your knee and your belly tell me that my hands
they convince me of it, and that there is no other place in
Where I come, where I go, better than you
Body. You come wholly to meet me, and
we both disappear for a moment, we get
in the mouth of God, until I tell you that I have
hunger or sleep
Every day I love you and I hate you hopelessly.
And there are days too, there are hours, when not
I know you, that you are alien to me as the woman
on the other, I care about men, I worry
I am distracted by my sorrows. You probably don’t think
in you for a long time. You see who
Could I love you less than me, my love?
- Analysis of the poem: one of the best love poems that focus on the small details of living together and the emotional impact that all that has.
The poet asks her love to write to him, by Federico García Lorca
Love of my entrails, living death,
in vain I wait for your written word
and I think, with the wilting flower,
If I live without me, I want to lose you.
The air is immortal. The inert stone
neither knows the shadow nor avoids it.
Inner heart does not need
the icy honey that the moon pours.
But I suffered from you. I tore my veins
tiger and dove, on your waist
in a duel of bites and lilies.
Fill my madness with words
or let me live in my serene
night of the soul forever dark.
- Analysis of the poem: this work by Lorca shows the most tragic and melancholic face of love relationships, which often leads us to a whirlwind of emotions.
Love, by Salvador Novo
Loving is this shy silence
close to you, without you knowing,
and remember your voice when you leave
And feel the warmth of your greeting.
To love is to wait for you
as if you were part of the sunset,
neither before nor after, so that we are alone
between games and stories
On dry land.
To love is to perceive, when you are absent,
Your perfume in the air I breathe
and contemplate the star you walk away
When I close the door at night.
- Analysis of the best love poem: these verses highlight the part of love linked to simplicity and humility.
First love, by Leopoldo María Panero
This smile that comes to me like the west
that is crushed against my flesh that until then felt
just hot or cold
this burnt music or weak butterfly like the air that
I would like just a pin to prevent its fall
when the clock advances without horizon or moon without wind without
is sad or cold
don’t knock on my door let the wind take your
this corpse that still keeps the heat of our
let me contemplate the world in a tear
Come slowly to my moon of fallen teeth
Let me into the underwater cave
behind are the forms that follow each other without leaving a trace
everything that happens and falls apart leaving only a smoke
behind are the dreams that today are only ice or stone
Fresh water like a kiss from the other side of the horizon.
- Analysis of the poem: a poem full of powerful and evocative symbols and images.
Who shines, by Alejandra Pizarnik
When you look at me
my eyes are keys
the wall has secrets,
My fear words, poems.
Only you make my memory
a fascinated traveler,
A relentless fire.
- Analysis of this love poem: this Argentine poet speaks of the potential of love relationships when it comes to getting the best out of oneself.
Mercedes Blanco, by Leopoldo María Panero
You finally arrived to rock
In your arms the corpse of my soul
With the smile of a dead woman
to tell me that the dead woman speaks
To make love in the ash.
You finally appeared in the middle of the purest
empty-where they were not
No names or words, not even
my memory in the world, in myself:
At last you came as a memory.
If it’s still impossible for you to stop loving me, however
Your blind heart insists that you forget me
I will then be the Impossible, I will be
I who incarnate in wax
The white face of the Impossible. But you came here
as if you were leaving forever, to tell me
that there is still a Truth. And you have already won
to the black hole behind the soul
and that he expects only to see us fall, that awaits us.
And I understood that I was. And what if it would still be
“Among the many men only one”
as a translator of Ausias told me,
yes, but being that desert
inhabited entirely by you,
That you were also one.
And I offered you the desert as a prize
and loneliness, for you to inhabit
without ever altering its purity;
I offered you, I offer you
My destruction And I told you just
from me than before
from you the present was a form of the past;
and what to expect was a way of missing my time
hearing only, on the horizon of waiting, the echo
of music in which everything
He stopped as if he had never been, and he knew
it was easy to do it, because everything
It has its vocation of not having been: even the thing
more simple I would like
disappear. But you came to inhabit that echo
and make sense of the voice that speaks alone
because he knows – I knew – that was that
the way they all speak, and the only
possible way of speaking And you kissed
gently in the mouth my drool,
who once stained the blank paper.
You arrived, and I would like
have been even less, and regret even more
from my life that another lived for me.
I am not the one who called me: only you name me.
I am not, nor are you, this shadow that I call
to talk about you as I would
the rain that never stopped falling; to offer you your reflection
in the water of an ocean under which someone
They say he’s dead — maybe you smile at me.
And you told me: death speaks, and I answer:
Only the dead speak among themselves.
I offer you no joy, but only bliss
fruitful of impossibility, as a continuous sting
Of the invisible life of our love. I tell you only:
Listen to how that insect dies – and I taught you
in my hand a dead fly, and I said
Here is our wealth. And I added: learn
to never shout that we love each other. Enough
whisper it, enough
your lips not to say:
because love has not yet been forged
and if nobody loves as you and I could
do it: just slowly, inventing
the flower that didn’t exist: if you and me now
We love each other, we will have loved each other for the first time.
I don’t offer you any joy, but only the fight
of subjective beauty for being true,
but only pleasure
of a long and sure agony because unique-
mind when you die you know
That was bliss. This dead elephant, this quest
Of the definitely lost, this wait
He just hopes to find his own speech.
I wait for you
at the end of the road: I don’t offer you
Accompany me in the grave.
- Analysis of this love poem: a poem in which the convulsive relationship that this poet had with the woman who gives the title to the work is appreciated, and in which love is expressed from a pessimistic and tragic perspective.
Owner of the black mouth, by José Zorrilla
Owner of the black touches,
that of the purple manzil,
for a kiss from your mouth
Give to Granada Boabdil.
Give the spear better
del Zenete more bizarre,
and with its fresh greenery
a whole shore of Darro.
Give the bullfight
and, if they were in your hands,
with the zambra of the Moors
The value of Christians.
Give oriental rugs,
and armor and pebetes,
and give … how much you’re worth!
Up to forty riders.
Because your eyes are beautiful,
because the light of dawn
go up to the East from them,
and the world his golden light.
Your lips are a ruby
match by a gala in two …
They ripped him for you
of the crown of God.
From your lips, the smile,
The peace of your tongue flows …
mild, airy, like a breeze
of glitter tomorrow.
Oh, what a beautiful Nazarene
for an eastern harem,
release the black mane
on the crystal neck,
in velvet bed,
between a cloud of aroma,
and wrapped in the white veil
of the daughters of Muhammad!
Come to Cordoba, Christian,
Sultana you will be there,
and the sultan will be, oh sultana!
A slave to you.
It will give you so much wealth,
so much Tunisian gala,
what is your beauty to judge
To pay him, mean.
Owner of the black touches,
for a kiss from your mouth
give a Boabdil kingdom;
and I for that, Christian,
I would gladly give you
A thousand heavens, if they were a thousand.
- Analysis of the poem: one of the best love poems in which references to exoticism attributed to the cultures of the East are used most.
Absence, by Jorge Luis Borges
I will raise the vast life
which is now your mirror:
Every morning I will have to rebuild it.
Since you walked away,
how many places have become futile
and meaningless, equal
To lights in the day.
Afternoons that were niche of your image,
the music you always waited for me
words of that time,
I will have to break them with my hands.
In what hollow will I hide my soul
so I don’t see your absence
that like a terrible sun, without sunset,
shines definitive and ruthless?
Your absence surrounds me
like the rope to the throat,
the sea to which it sinks.
- Analysis of this love poem: another of Borges’s love poems in which this subject is approached from melancholy and sadness for the end of the relationship.
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Mademoiselle Isabel – Best Love Poems by Blas de Otero
Mademoiselle Isabel, blonde and French,
with a blackbird under the skin,
I don’t know if that one or this one, oh mademoiselle
Isabel, sing in him or if he in that.
Princess of my childhood; your princess
promise, with two carnation breasts;
I, livre, crayon, le … le … oh Isabel,
Isabel …, your garden trembles at the table.
At night, you smoothed your hair,
I slept, meditating on them
and in your pink body: butterfly
Pink and white, veiled with a veil.
Forever flown from my rose
-mademoiselle Isabel- and from my sky.
- Analysis of this love poem: a beautiful short love poem in which, in a few verses, it expresses a lot